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Conventional histories of comedy address the verbal comedy presented on stage or screen, or in broadcast media. During the twentieth century, however, there emerged another form of comedy--a comedy of doing rather than saying--that yielded prop-like conceptual objects and gestures of public theater. Termed “concrete comedy” by internationally known artist and writer David Robbins, its origins date from around 1915, with the work of Karl Valentin, a German comedian of stage and screen who also made comic objects, and Marcel Duchamp, who used the art context as a site as for comedy. Concrete Comedy discusses visual artists (Manzoni, Warhol, Cattelan, Kippenberger, among many others) alongside entertainers (Albert Brooks, Andy Kaufman, Robert Benchley, Jack Benny), musicians (The Ramones, The Replacements, Frank Zappa), couturiers (from Chanel to Viktor & Rolf), architects (SITE Architects) and dozens of other comic imaginations. It offers both an alternative to conventional comedy and an alternative reading of certain abiding strategies in recent art.
- Sales Rank: #1396035 in Books
- Published on: 2011-08-31
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.00" w x 6.60" l, 1.85 pounds
- Binding: Paperback
- 360 pages
Review
The author's unassuming, slightly crackpottish voice and enthusiasm for his subject―and it does seem to be his subject, with little other literature around-makes for an engrossing read. (Stephen Maine Art in America)
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Concrete Comedy
By The Art Book Review
"For Kaufmann and Burden (in the above example) television was a part of reality, for The Replacements success as a pop band was reality, for Guilaume Bijl the exhibition space was reality, for Bruce Nauman the psychology of the studio was reality. These reality’s take place in a Material Culture that is constantly shifting and out of the control of many people. For Robbins, these artists/Concrete Comedians work with, against, and through what is out of their control to affirm their humanness." --Cameron Crone on David Robbin's "Concrete Comedy"
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2 of 2 people found the following review helpful.
brilliant, highly original considered criticism
By richard kostelanetz
This is the strongest, more provocative book of arts criticism, certainly about comedy, read by me in a long time.
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