Minggu, 24 Juni 2012

[T715.Ebook] Get Free Ebook Spectrum Math Workbook, Grade 4From Spectrum

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Spectrum Math Workbook, Grade 4From Spectrum

Reinforce your child’s fourth-grade skills with Spectrum Math. With the progressive lessons in this workbook, your child will strengthen skills that include multiplication and division, fractions, classifying geometric figures, and preparing for algebra. The best-selling Spectrum(R) Math workbook series provides quality educational activities that build the skills your child needs for math achievement and success. Students in grades K–8 will find lessons and exercises that help them progress through increasingly difficult subject matter. Chapter pretests and posttests, Mid-Tests, and Final Tests, along with complete answer keys, help students track their progress and locate areas for improvement. Aligned to current state standards, Spectrum is your child’s path to math mastery. Spectrum, the best-selling workbook series, is proud to provide quality educational materials that support your students’ learning achievement and success.

  • Sales Rank: #1482 in Books
  • Brand: Spectrum
  • Published on: 2014-08-15
  • Released on: 2014-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.88" h x .38" w x 8.38" l, .92 pounds
  • Binding: Paperback
  • 160 pages
Features
  • Book, Workbook, Math Book
  • Math Sets - Kits

Most helpful customer reviews

12 of 13 people found the following review helpful.
Some areas we looked up easier ways to complete online but it was good to see her accomplish something she was considered to ...
By Jenn Gutierrez
My daughter was pulled out of public school in December and started homeschooling in January. She was having difficulties in Math in school leaving her very frustrated and us worried. She finished this 140 page book tests and all in under 90 days. Some areas we looked up easier ways to complete online but it was good to see her accomplish something she was considered to be slow in while she was in school, I have confidence that she will be fine when she goes back to school in Aug :)

11 of 12 people found the following review helpful.
Improve Elementary Math
By Claire Madison
My daughter is really improving. She is able to jump around to avoid boredom. There is a summary test at the end of each 5 chapters that will give you an idea of what your child has learned.

The only criticism is there is not a great deal of space for the student to show work. Next edition, leave more space to solve problems.

17 of 19 people found the following review helpful.
Math done right.
By H. McKnight
It's good old fashioned math. I home school and use this is our daily curriculum. Very clear and definitely none of that common core crap math of confusion and tears. This gets the job done beautifully.

See all 64 customer reviews...

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[G291.Ebook] PDF Download Maybe in Another Life: A Novel, by Taylor Jenkins Reid

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Maybe in Another Life: A Novel, by Taylor Jenkins Reid

A People Magazine Pick * US Weekly “Must” Pick

Named “Best Book of the Summer” by Glamour * Good Housekeeping * USA TODAY * Cosmopolitan * PopSugar * Working Mother * Bustle * Goodreads

From the acclaimed author of Forever, Interrupted and After I Do comes a breathtaking new novel about a young woman whose fate hinges on the choice she makes after bumping into an old flame; in alternating chapters, we see two possible scenarios unfold—with stunningly different results.

At the age of twenty-nine, Hannah Martin still has no idea what she wants to do with her life. She has lived in six different cities and held countless meaningless jobs since graduating college. On the heels of leaving yet another city, Hannah moves back to her hometown of Los Angeles and takes up residence in her best friend Gabby’s guestroom. Shortly after getting back to town, Hannah goes out to a bar one night with Gabby and meets up with her high school boyfriend, Ethan.

Just after midnight, Gabby asks Hannah if she’s ready to go. A moment later, Ethan offers to give her a ride later if she wants to stay. Hannah hesitates. What happens if she leaves with Gabby? What happens if she leaves with Ethan?

In concurrent storylines, Hannah lives out the effects of each decision. Quickly, these parallel universes develop into radically different stories with large-scale consequences for Hannah, as well as the people around her. As the two alternate realities run their course, Maybe in Another Life raises questions about fate and true love: Is anything meant to be? How much in our life is determined by chance? And perhaps, most compellingly: Is there such a thing as a soul mate?

Hannah believes there is. And, in both worlds, she believes she’s found him.

  • Sales Rank: #13925 in Books
  • Published on: 2015-07-07
  • Released on: 2015-07-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .90" w x 5.31" l, .0 pounds
  • Binding: Paperback
  • 352 pages

Review
Praise for Maybe in Another Life:
“Entertaining and unpredictable; Reid makes a compelling argument for happiness in every life.” (Kirkus (starred review))


"Reid makes you think about love and destiny and then shows you the�what could have been; I loved every word.�A heartfelt, witty and scintillating journey from one parallel universe to another; Maybe in Another Life takes the concept of fate and makes it tangible and engrossing; I couldn't put this book down!"
(Renee Carlino USA Today bestselling author)

"Readers looking for a romance with a twist won't be disappointed" (Library Journal)

Praise for After I Do:
"Taylor Jenkins Reid offers an entirely fresh and new perspective on what can happen after the "happily ever after." With characters who feel like friends and a narrative that hooked me from the first page, After I Do takes an elegant and incisively emotional look at the endings and beginnings of love. Put this book at the top of your must read list!" (Jen Lancaster New York Times bestselling author)

“Written in a breezy, humorous style familiar to fans of Jane Green and Elin Hilderbrand, After I Do focuses on Lauren’s journey of self-discovery. The intriguing premise and well-drawn characters contribute to an emotionally uplifting and inspiring story.” (Booklist)

"As uplifting as it is brutally honest—a must-read." (Kirkus on After I Do)

"Touching and powerful...Reid masterfully grabs hold of the heartstrings and doesn't let go. A stunning first novel." (Publishers Weekly, starred review on Forever, Interrupted)

"Moving, gorgeous and, at times, heart-wrenching. Taylor Jenkins Reid writes with wit and true emotion that you can feel. Read it, savor it, share it." (Sarah Jio New York Times bestselling author of The Violets of March)

"Taylor Jenkins Reid writes with ruthless honesty, displaying an innate understanding of human emotion and creating characters and relationships so real I’m finding it impossible to let them go. After I Do is a raw, unflinching exploration of the realities of marriage, the delicate nature of love, and the enduring strength of family. Simultaneously funny and sad, heartbreaking and hopeful, Reid has crafted a story of love lost and found that is as timely as it is timeless." (Katja Millay author of The Sea of Tranquility)

Praise for Forever, Interrupted:
“A moving novel about life and death.” (Kirkus on Forever, Interrupted)

"You'll laugh, weep and fly through each crazy-readable page." (Redbook)

"Sweet, heartfelt, and surprising, Forever Interrupted is a story about a young woman struggling to find her way after losing her husband. These characters made me laugh as well as cry, and I ended up falling in love with them, too." (Sarah Pekkanen author of The Best of Us)

“Taylor Jenkins Reid has written a poignant and heartfelt exploration of love and commitment in the absence of shared time that asks, what does it take to be the love of someone's life?” (Emma McLaughlin and Nicola Kraus New York Times bestselling authors)

"This beautifully rendered story explores the brilliance and rarity of finding true love, and how to find our way back through the painful aftermath of losing it. These characters will leap right off the page and into your heart." (Amy Hatvany author of Heart Like Mine)

About the Author
Taylor Jenkins Reid is an essayist and novelist living in Los Angeles and the acclaimed author of Maybe in Another Life, After I Do, and Forever, Interrupted. Before becoming a writer, she worked in entertainment and education.

Excerpt. � Reprinted by permission. All rights reserved.
Maybe in Another Life
It’s a good thing I booked an aisle seat, because I’m the last one on the plane. I knew I’d be late for my flight. I’m late for almost everything. That’s why I booked an aisle seat in the first place. I hate making people get up so that I can squeeze by. This is also why I never go to the bathroom during movies, even though I always have to go to the bathroom during movies.

I walk down the tight aisle, holding my carry-on close to my body, trying not to bump anyone. I hit a man’s elbow and apologize even though he doesn’t seem to notice. When I barely graze a woman’s arm, she shoots daggers at me as if I stabbed her. I open my mouth to say I’m sorry and then think better of it.

I spot my seat easily; it is the only open one.

The air is stale. The music is Muzak. The conversations around me are punctuated by the clicks of the overhead compartments being slammed shut.

I get to my seat and sit down, smiling at the woman next to me. She’s older and round, with short salt-and-pepper hair. I shove my bag in front of me and buckle my seat belt. My tray table’s up. My electronics are off. My seat is in the upright position. When you’re late a lot, you learn how to make up for lost time.

I look out the window. The baggage handlers are bundled up in extra layers and neon jackets. I’m happy to be headed to a warmer climate. I pick up the in-flight magazine.

Soon I hear the roar of the engine and feel the wheels beneath us start to roll. The woman next to me grips the armrests as we ascend. She looks petrified.

I’m not scared of flying. I’m scared of sharks, hurricanes, and false imprisonment. I’m scared that I will never do anything of value with my life. But I’m not scared of flying.

Her knuckles are white with tension.

I tuck the magazine back into the pouch. “Not much of a flier?” I ask her. When I’m anxious, talking helps. If talking helps her, it’s the least I can do.

The woman turns and looks at me as we glide into the air. “ ’Fraid not,” she says, smiling ruefully. “I don’t leave New York very often. This is my first time flying to Los Angeles.”

“Well, if it makes you feel any better, I fly a fair amount, and I can tell you, with any flight, it’s really only takeoff and landing that are hard. We’ve got about three more minutes of this part and then about five minutes at the end that can be tough. The rest of it�.�.�. you might as well be on a bus. So just eight bad minutes total, and then you’re in California.”

We’re at an incline. It’s steep enough that an errant bottle of water rolls down the aisle.

“Eight minutes is all?” she asks.

I nod. “That’s it,” I tell her. “You’re from New York?”

She nods. “How about you?”

I shrug. “I was living in New York. Now I’m moving back to L.A.”

The plane drops abruptly and then rights itself as we make our way past the clouds. She breathes in deeply. I have to admit, even I feel a little queasy.

“But I was only in New York for about nine months,” I say. The longer I talk, the less attention she has to focus on the turbulence. “I’ve been moving around a bit lately. I went to school in Boston. Then I moved to D.C., then Portland, Oregon. Then Seattle. Then Austin, Texas. Then New York. The city where dreams come true. Although, you know, not for me. But I did grow up in Los Angeles. So you could say I’m going back to where I came from, but I don’t know that I’d call it home.”

“Where’s your family?” she asks. Her voice is tight. She’s looking forward.

“My family moved to London when I was sixteen. My younger sister, Sarah, got accepted to the Royal Ballet School, and they couldn’t pass that up. I stayed and finished school in L.A.”

“You lived on your own?” It’s working. The distraction.

“I lived with my best friend’s family until I finished high school. And then I left for college.”

The plane levels out. The captain tells us our altitude. She takes her hands off the armrest and breathes.

“See?” I say to her. “Just like a bus.”

“Thank you,” she says.

“Anytime.”

She looks out the window. I pick up the magazine again. She turns back to me. “Why do you move around so much?” she says. “Isn’t that difficult?” She immediately corrects herself. “Listen to me, the minute I stop hyperventilating, I’m acting like your mother.”

I laugh with her. “No, no, it’s fine,” I say. I don’t move from place to place on purpose. It’s not a conscious choice to be a nomad. Although I can see that each move is my own decision, predicated on nothing but my ever-growing sense that I don’t belong where I am, fueled by the hope that maybe there is, in fact, a place I do belong, a place just off in the future. “I guess�.�.�. I don’t know,” I say. It’s hard to put into words, especially to someone I barely know. But then I open my mouth, and out it comes. “No place has felt like home.”

She looks at me and smiles. “I’m sorry,” she says. “That has to be hard.”

I shrug, because it’s an impulse. It’s always my impulse to ignore the bad, to run toward the good.

But I’m also not feeling great about my own impulses at the moment. I’m not sure they are getting me where I want to go.

I stop shrugging.

And then, because I won’t see her again after this flight, I take it one step further. I tell her something I’ve only recently told myself. “Sometimes I worry I’ll never find a place to call home.”

She puts her hand on mine, ever so briefly. “You will,” she says. “You’re young still. You have plenty of time.”

I wonder if she can tell that I’m twenty-nine and considers that young, or if she thinks I’m younger than I am.

“Thanks,” I say. I take my headphones out of my bag and put them on.

“At the end of the flight, during the five tricky minutes when we land, maybe we can talk about my lack of career choices,” I say, laughing. “That will definitely distract you.”

She smiles broadly and lets out a laugh. “I’d consider it a personal favor.”|Maybe in Another Life
I wake up to a bright, sunny room and a ringing phone.

“Ethan!” I whisper into the phone. “It’s nine o’clock on a Saturday morning!”

“Yeah,” he says, his gritty voice made grittier by the phone. “But you’re still on East Coast time. It’s noon for you. You should be up.”

I continue to whisper. “OK, but Gabby and Mark are still sleeping.”

“When do I get to see you?” he says.



I met Ethan in my sophomore year of high school at Homecoming.

I was still living at home with my parents. Gabby was offered a babysitting job that night and decided to take it instead of going to the dance. I ended up going by myself, not because I wanted to go but because my dad teased me that I never went anywhere without her. I went to prove him wrong.

I stood at the wall for most of the night, killing time until I could leave. I was so bored that I thought about calling Gabby and persuading her to join me once her babysitting gig was over. But Jesse Flint was slow-dancing with Jessica Campos all night in the middle of the dance floor. And Gabby loved Jesse Flint, had been pining away for him since high school began. I couldn’t do that to her.

As the night wore on and couples started making out in the dimly lit gym, I looked over at the only other person standing against the wall. He was tall and thin, with rumpled hair and a wrinkled shirt. His tie was loose. He looked right back at me. And then he walked over to where I was standing and introduced himself.

“Ethan Hanover,” he said, putting out his hand.

“Hannah Martin,” I said, putting out my own to grab his.

He was a junior at another school. He told me he was just there as a favor to his neighbor, Katie Franklin, who didn’t have a date. I knew Katie fairly well. I knew she was a lesbian who wasn’t ready to tell her parents. The whole school knew that she and Teresa Hawkins were more than just friends. So I figured I wasn’t hurting anyone by flirting with the boy she brought for cover.

But pretty soon I found myself forgetting anyone else was even at the dance in the first place. When Katie did finally come get him and suggest it was time to go, I felt as if something was being taken from me. I was tempted to reach out and grab him, to claim him for myself.

Ethan had a party at his parents’ house the next weekend and invited me. Gabby and I didn’t normally go to big parties, but I made her come. He perked up the minute I walked in the door. He grabbed my hand and introduced me to his friends. I lost track of Gabby somewhere by the Tostitos.

Soon Ethan and I had ventured upstairs. We were sitting on the top step of the staircase, hip to hip, talking about our favorite bands. He kissed me there, in the dark, the wild party happening just underneath our feet.

“I only threw a party so I could call you and invite you,” he said to me. “Is that stupid?”

I shook my head and kissed him again.

When Gabby came and found me an hour or so later, my lips felt swollen, and I knew I had a hickey.

We lost our virginity to each other a year and a half later. We were in his bedroom when his parents were out of town. He told me he loved me as I lay underneath him, and he kept asking if it was OK.

Some people talk about their first time as a hilarious or pathetic experience. I can’t relate. Mine was with someone I loved, someone who also had no idea what we were doing. The first time I had sex, I made love. I’ve always had a soft spot in my heart for Ethan for that very reason.

And then everything fell apart. He got into UC Berkeley. Sarah got into the Royal Ballet School, and my parents packed up and moved to London. I moved in with the Hudsons. And then, one balmy August morning a week before the beginning of my senior year of high school, Ethan got into his parents’ car and left for Northern California.

We made it until the end of October before we broke up. At the time, we assured each other that it was just because the timing was wrong and the distance was hard. We told each other we’d get back together that summer. We told each other it didn’t change anything; we were still soul mates.

But it was no different from the same old song and dance at every college every fall.

I started considering schools in Boston and New York, since living on the East Coast would make it easier to get to London. When Ethan came home for Christmas, I was dating a guy named Chris Rodriguez. When Ethan came home for the summer, he was dating a girl named Alicia Foster.

When I got into Boston University, that was the final nail.

Soon there was more than three thousand miles between us and no plan to shorten the distance.

Ethan and I have occasionally kept in touch, a phone call here or there, a dance or two at mutual friends’ weddings. But there has always been an unspoken tension. There is always this sense that we haven’t followed through on our plan.

He still, all these years later, shines brighter to me than other people. Even after I got over him, I was never able to extinguish the fire completely, as if it’s a pilot light that will remain small and controlled but very much alive.

“You’ve been in this city for twelve hours, according to my calculations,” Ethan says. “And I’ll be damned if I’m going to let you be here for twelve more without seeing me.”

I laugh. “Well, we’ll be cutting it close, I think,” I say to him. “Gabby says there is some bar in Hollywood that we should go to tonight. She invited a whole bunch of friends from high school, so I can see everybody again. She’s calling it a housewarming. Which makes no sense. I don’t know.”

Ethan laughs. “Text me the time and place, and I will be there.”

“Awesome. Sounds great.”

I start to say good-bye, but his voice chimes in again. “Hey, Hannah,” he says.

“Yeah?”

“I’m glad you decided to come home.”

I laugh. “Well, I was running out of cities.”

“I don’t know,” he says. “I like to think you’ve just come to your senses.”|Maybe in Another Life
When I come out of the gate, Gabby is holding up a sign that says “Hannah Marie Martin,” as if I wouldn’t recognize her, as if I wouldn’t know she was my ride.

I run toward her, and as I get closer, I can see that she has drawn a picture of me next to my name. It is a crude sketch but not altogether terrible. The Hannah of her drawing has big eyes and long lashes, a tiny nose, and a line for a mouth. On the top of my head is hair drawn dramatically in a high bun. The only thing of note drawn on my stick-figure body is an oversized pair of boobs.

It’s not necessarily how I see myself, but I admit, if you reduced me to a caricature, I’d be big boobs and a high bun. Sort of like how Mickey Mouse is round ears and gloved hands or how Michael Jackson is white socks and black loafers.

I’d much rather be depicted with my dark brown hair and my light green eyes, but I understand that you can’t really do much with color when you’re drawing with a Bic pen.

Even though I haven’t visited Gabby in person since her wedding day two years ago, I have seen her every Sunday morning of the recent past. We video-chat no matter what we have to do that day or how hungover one of us is feeling. It is, in some ways, the most reliable thing in my life.

Gabby is tiny and twiglike. Her hair is kept cropped close in a bob, and there’s no extra fat on her, not an inch to spare. When I hug her, I remember how odd it is to hug someone so much smaller than I am, how different the two of us seem at first glance. I am tall, curvy, and white. She is short, thin, and black.

She doesn’t have any makeup on, and yet she is one of the prettiest women here. I don’t tell her that, because I know what she’d say. She’d say that’s irrelevant. She’d say we shouldn’t be complimenting each other on our looks or competing with each other over who is prettier. She’s got a point, so I keep it to myself.

I have known Gabby since we were both fourteen years old. We sat next to each other in earth science class the first day of high school. The friendship was fast and everlasting. We were Gabby and Hannah, Hannah and Gabby, one name rarely mentioned without the other in tow.

I moved in with her and her parents, Carl and Tina, when my family left for London. Carl and Tina treated me as if I were their own. They coached me through applying for schools, made sure I did my homework, and kept me on a curfew. Carl routinely tried to persuade me to become a doctor, like him and his father. By then, he knew that Gabby wouldn’t follow on his path. She already knew she wanted to work in public service. I think Carl figured I was his last shot. But Tina instead encouraged me to find my own way. Unfortunately, I’m still not sure what that way is. But back then, I just assumed it would all fall into place, that the big things in life would take care of themselves.

After we went off to college, Gabby in Chicago, myself in Boston, we still talked all the time but started to find new lives for ourselves. Freshman year, she became friends with another black student at her school named Vanessa. Gabby would tell me about their trips to the nearby mall and the parties they went to. I’d have been lying if I said I wasn’t nervous back then, in some small way, that Vanessa would become closer to Gabby than I ever could, that Vanessa could share something with Gabby that I was not a part of.

I asked Gabby about it over the phone once. I was lying in my dorm room on my twin XL bed, the phone sweaty and hot on my ear from our already-hours-long conversation.

“Do you feel like Vanessa understands you better than I do?” I asked her. “Because you’re both black?” The minute the question came out of my mouth, I was embarrassed. It had seemed reasonable in my head but sounded irrational coming out of my mouth. If words were things, I would have rushed to pluck them out of the air and put them back in my mouth.

Gabby laughed at me. “Do you think white people understand you more than I do just because they’re white?”

“No,” I said. “Of course not.”

“So be quiet,” Gabby said.

And I did. If there is one thing I love about Gabby, it is that she has always known when I should be quiet. She is, in fact, the only person who often proves to know me better than I know myself.

“Let me guess,” she says now, as she takes my carry-on bag out of my hand, a gentlemanly gesture. “We’re going to need to rent one of those baggage carts to get all of your stuff.”

I laugh. “In my defense, I am moving across the country,” I say.

I long ago stopped buying furniture or large items. I tend to sublet furnished apartments. You learn after one or two moves that buying an IKEA bed, putting it together, and then breaking it down and selling it for fifty bucks six months later is a waste of time and money. But I do still have things, some of which have survived multiple cross-country trips. It would feel callous to let go of them now.

“I’m going to guess there’s at least four bottles of Orange Ginger body lotion in here,” Gabby says as she grabs one of my bags off the carousel.

I shake my head. “Only the one. I’m running low.”

I started using body lotion somewhere around the time she and I met. We would go to the mall together and smell all the lotions in all the different stores. But every time, I kept buying the same one. Orange Ginger. At one point, I had seven bottles of the stuff stocked up.

We grab the rest of my bags from the carousel and pack them one after another onto the cart, the two of us pushing with all our might across the lanes of airport traffic and into the parking structure. We load them into her tiny car and then settle into our seats.

We make small talk as she makes her way out of the garage and navigates the streets leading us to the freeway. She asks about my flight and how it felt to leave New York. She apologizes that her guest room is small. I tell her not to be ridiculous, and I thank her again for letting me stay.

The repetition of history is not lost on me. It’s more than a decade later, and I am once again staying in Gabby’s guest room. It’s been more than ten years, and yet I am still floating from place to place, relying on the kindness of Gabby and her family. This time, it’s Gabby and her husband, Mark, instead of Gabby and her parents. But if anything, that just highlights the difference between the two of us, how much Gabby has changed since then and how much I have not. Gabby’s the VP of Development at a nonprofit that works with at-risk teenagers. I’m a waitress. And not a particularly good one.

Once Gabby is flying down the freeway, once driving no longer takes her attention, or maybe once she is going so fast she knows I can’t jump out of the car, she asks what she has been dying to ask since I hugged her hello. “So what happened? Did you tell him you were leaving?”

I sigh loudly and look out the window. “He knows not to contact me,” I say. “He knows I don’t want to see him ever again. So I suppose it doesn’t really matter where he thinks I am.”

Gabby looks straight ahead at the road, but I see her nod, pleased with me.

I need her approval right now. Her opinion of me is currently a better litmus test than my own. It’s been a little rough going lately. And while I know Gabby will always love me, I also know that as of late, I have tested her unconditional support.

Mostly because I started sleeping with a married man.

I didn’t know he was married at first. And for some reason, I thought that meant it was OK. He never admitted he was married. He never wore a wedding ring. He didn’t even have a paler shade of skin around his ring finger, the way magazines tell you married men will. He was a liar. A good one, at that. And even though I suspected the truth, I thought that if he never said it, if he never admitted it to my face, then I wasn’t accountable for the fact that it was true.

I suspected something was up when he once didn’t answer my calls for six days and then finally called me back acting as if nothing was out of the ordinary. I suspected there was another woman when he refused to let me use his phone. I suspected that I was, in fact, the other woman when we ran into a coworker of his at a restaurant in SoHo, and rather than introduce me to the man, Michael told me I had something in my teeth and that I should go to the bathroom to get it out. I did go to the bathroom. And I found nothing there. But if I’m being honest, I also found it hard to look at myself in the mirror for more than a few seconds before going back out there and pretending I didn’t know what he was trying to do.

And Gabby, of course, knew all of this. I was admitting it to her at the same rate I was admitting it to myself.

“I think he’s married,” I finally said to her a month or so ago. I was sitting in bed, still in my pajamas, talking to her on my laptop, and fixing my bun.

I watched as Gabby’s pixelated face frowned. “I told you he was married,” she said, her patience wearing thin. “I told you this three weeks ago. I told you that you need to stop this. Because it’s wrong. And because that is some woman’s husband. And because you shouldn’t allow a man to treat you like a mistress. I told you all of this.”

“I know, but I really didn’t think he was married. He would have told me if he was. You know? So I didn’t think he was. And I’m not going to ask him, because that’s so insulting, isn’t it?” That was my rationale. I didn’t want to insult him.

“You need to cut this crap out, Hannah. I’m serious. You are a wonderful person who has a lot to offer the world. But this is wrong. And you know it.”

I listened to her. And then I let all of her advice fly right through my head and out into the wind. As if it was meant for someone else and wasn’t mine to hold on to.

“No,” I said, shaking my head. “I don’t think you’re right about this. Michael and I met at a bar in Bushwick on a Wednesday night. I never go to Bushwick. And I rarely go out on a Wednesday night. And neither does he! What are the odds of that? That two people would come together like that?”

“You’re joking, right?”

“Why would I be joking? I’m talking about fate here. Honestly. Let’s say he is married�.�.�.”

“He is.”

“We don’t know that. But let’s say that he is.”

“He is.”

“Let’s say that he is. That doesn’t mean that we weren’t fated to meet. For all we know, I’m just playing out the natural course of destiny here. Maybe he’s married and that’s OK because it’s how things were meant to be.”

I could tell Gabby was disappointed in me. I could see it in her eyebrows and the turn of her lips.

“Look, I don’t even know that he’s married,” I said. But I did. I did know it. And because I knew it, I had to run as far away from it as I could. So I said, “You know, Gabby, even if he is married, that doesn’t mean I’m not better for him than this other person. All’s fair in love and war.”

Two weeks later, his wife found out about me and called me screaming.

He’d done this before.

She’d found two others.

And did I know they had two children?

I did not know that.

It’s very easy to rationalize what you’re doing when you don’t know the faces and the names of the people you might hurt. It’s very easy to choose yourself over someone else when it’s an abstract.

And I think that’s why I kept everything abstract.

I had been playing the “Well, But” game. The “We Don’t Know That for Sure” game. The “Even So” game. I had been viewing the truth through my own little lens, one that was narrow and rose-colored.

And then, suddenly, it was as if the lens fell from my face, and I could suddenly see, in staggering black-and-white, what I had been doing.

Does it matter that once I faced the truth I behaved honorably? Does it matter that once I heard his wife’s voice, once I knew the names of his children, I never spoke to him again?

Does it matter that I can see, clear as day, my own culpability and that I feel deep remorse? That a small part of me hates myself for relying on willful ignorance to justify what I suspected was wrong?

Gabby thinks it does. She thinks it redeems me. I’m not so sure.

Once Michael was out of my life, I realized I didn’t have much else going for me in New York. The winter was harsh and cold and only seemed to emphasize further how alone I was in a city of millions. I called my parents and my sister, Sarah, a lot that first week after breaking up with Michael, not to talk about my problems but to hear friendly voices. I often got their voice mails. They always called me back. They always do. But I could never seem to accurately guess when they might be available. And very often, with the time difference, we had only a small sliver of time to catch one another.

Last week, everything just started to pile up. The girl whose apartment I was subletting gave me two weeks’ notice that she needed the apartment back. My boss at work hit on me and implied that better shifts went to women who showed cleavage. I got stuck on the G train for an hour and forty-five minutes when a train broke down at Greenpoint Avenue. Michael kept calling me and leaving voice mails asking to explain himself, telling me that he wanted to leave his wife for me, and I was embarrassed to admit that it made me feel better even as it made me feel absolutely terrible.

So I called Gabby. And I cried. I admitted that things were harder in New York than I had ever let on. I admitted that this wasn’t working, that my life was not shaping up the way I’d wanted it to. I told her I needed to change.

And she said, “Come home.”

It took me a minute before I realized she meant that I should move back to Los Angeles. That’s how long it’s been since I thought of my hometown as home.

“To L.A.?” I asked.

“Yeah,” she said. “Come home.”

“You know, Ethan is there,” I said. “He moved back a few years ago, I think.”

“So you’ll see him,” Gabby said. “It wouldn’t be the worst thing that happened to you. Getting back together with a good guy.”

“It is warmer there,” I said, looking out my tiny window at the dirty snow on the street below me.

“It was seventy-two the other day,” she said.

“But changing cities doesn’t solve the larger problem,” I said, for maybe the first time in my life. “I mean, I need to change.”

“I know,” she said. “Come home. Change here.”

It was the first time in a long time that something made sense.

Now Gabby grabs my hand for a moment and squeezes it, keeping her eye on the road. “I’m proud of you that you’re taking control of your life,” she says. “Just by getting on the plane this morning, you’re getting your life together.”

“You think so?” I ask.

She nods. “I think Los Angeles will be good for you. Don’t you? Returning to your roots. It’s a crime we’ve lived so far apart for so many years. You’re correcting an injustice.”

I laugh. I’m trying to see this move as a victory instead of a defeat.

Finally, we pull onto Gabby’s street, and she parks her car at the curb.

We are in front of a complex on a steep, hilly street. Gabby and Mark bought a townhouse last year. I look at the addresses on the row of houses and search for the number four, to see which one is theirs. I may not have been here before, but I’ve been sending cards, baked goods, and various gifts to Gabby for months. I know her address by heart. Just as I catch the number on the door in the glow of the streetlight, I see Mark come out and walk toward us.

Mark is a tall, conventionally handsome man. Very physically strong, very traditionally male. I’ve always had a penchant for guys with pretty eyes and five o’clock shadows, and I thought Gabby did, too. But she ended up with Mark, the poster boy for clean-cut and stable. He’s the kind of guy who goes to the gym for health reasons. I have never done that.

I open my car door and grab one of my bags. Gabby grabs another. Mark meets us at the car. “Hannah!” he says as he gives me a big hug. “It is so nice to see you.” He takes the rest of the bags out of the car, and we head into the house. I look around their living room. It’s a lot of neutrals and wood finishes. Safe but gorgeous.

“Your room is upstairs,” she says, and the three of us walk up the tight staircase to the second floor. There is a master bedroom and a bedroom across the hall.

Gabby and Mark lead me into the guest room, and we put all the bags down.

It’s a small room but big enough for just me. There’s a double bed with a billowy white comforter, a desk, and a dresser.

It’s late, and I am sure both Gabby and Mark are tired, so I do my best to be quick.

“You guys go ahead to bed. I can get myself settled,” I say.

“You sure?” Gabby asks.

I insist.

Mark gives me a hug and heads to their bedroom. Gabby tells him she’ll be there in a moment.

“I’m really happy you’re here,” she says to me. “In all of your city hopping, I always hoped you’d come back. At least for a little while. I like having you close by.”

“Well, you got me,” I tell her, smiling. “Perhaps even closer than you were thinking.”

“Don’t be silly,” she says. “Live in my guest room until we’re both ninety years old, as far as I’m concerned.” She gives me a hug and heads to her room. “If you wake up before we do, feel free to start the coffee.”

After I hear the bedroom door shut, I grab my toiletry bag and head into the bathroom.

The light in here is bright and unforgiving; some might even go so far as to describe it as harsh. There’s a magnifying mirror by the sink. I grab it and pull it toward my face. I can tell I need to get my eyebrows waxed, but overall, there isn’t too much to complain about. As I start to push the mirror back into place, the view grazes the outside of my left eye.

I pull on my skin, somewhat in denial of what I’m seeing. I let it bounce back into shape. I stare and inspect.

I have the beginnings of crow’s-feet.

I have no apartment and no job. I have no steady relationship or even a city to call home. I have no idea what I want to be doing with my life, no idea what my purpose is, and no real sign of a life goal. And yet time has found me. The years I’ve spent dilly-dallying around at different jobs in different cities show on my face.

I have wrinkles.

I let go of the mirror. I brush my teeth. I wash my face. I resolve to buy night cream and start wearing sunscreen. And then I turn down the covers and get into bed.

My life may be a little bit of a disaster. I may not make the best decisions sometimes. But I am not going to lie here and stare at the ceiling, worrying the night away.

Instead, I go to sleep soundly, believing I will do better tomorrow. Things will be better tomorrow. I’ll figure this all out tomorrow.

Tomorrow is, for me, a brand-new day.

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38 of 40 people found the following review helpful.
LOVED THIS BOOK!
By Grace at Rebel Mommy Book Blog
This book. THIS BOOK. I totally got sucked in and read it in a day. That doesn’t happen for me much anymore. Clearly I can’t go into too much detail as this can be a spoilerly book so keep that in mind.

We have Hannah. She is kind of an aimless wanderer. She has moved ton, doesn’t have a set career path and just ended an affair with a married man. No better time to head home and reassess life than now. Her home is in LA with her best friend Gabby and her husband since her family moved to London back when Hannah was in high school. They have a welcome home night out with old friends and this is where our story can take two paths. Does Hannah stay longer with her old flame Ethan or head home early with Gabby and her husband? No need to guess because we get to see both scenarios play out.

I have never read a book with the parallel universes. There was a chapter, which alternated, for each scenario in the same time frame so you could follow the different paths at the same time. I loved this. It was really interesting to see what things changed and what stayed the same based on her decision and the different paths it took her on. Time hops and such can sometimes confuse me but this was super easy to follow.

Hannah was so relatable. She was totally in a confused time in her life. She couldn’t find her footing or where she belonged. She changed cities in an attempt to find out who she was and what she wanted to do. It wasn’t until she went back to LA and was surrounded by Gabby and others who cared that she started to find her way. In both worlds we see she is stronger than she ever realized and is able to face any challenge life hands her, and she has some doozies in both situations. There are romantic interests for her in both as well and I was in love with them all (and that’s all you get from me on that before I say too much!)

Gabby was literally the best friend anyone could ask for. She was the most understanding, supportive person I have ever read about that was still cool and fun. I was so happy that Hannah, in all her wandering glory, had such a great friend to come home to and help her deal with life.

I can’t say enough good things. It definitely had points where I was super emotional, points where I was laughing but no matter what I was rooting for her the whole time. We get to see how choices can affect our futures and what could be different, the same and would we end up with the same ending regardless. It was an easy read that still made you think a little. I will now be reading all of Taylor Jenkins Reid’s other books as I was thoroughly impressed.

32 of 34 people found the following review helpful.
A Sliding Doors premise that gets too predictable
By Julia Flyte
This is a Sliding Doors kind of book, when we explore two possible directions in the life of 29 year old Hannah Martin who has just moved to LA, the city she grew up in, fresh off a nasty break-up in New York. On her first night back she goes out with her best friend Gabby and runs into her high school boyfriend, Ethan. In one version of her life, she will go home with him. In the other, she will leave with Gabby and Gabby's husband. Either way, her life will turn out quite differently.

When I started reading this book I thought I was going to love it. Hannah is a bright and sassy narrator and the back-and-forth banter that she has with Gabby is really fun to read. However those are the two most sharply drawn characters in the book. The others - and particularly Hannah's love interests - really don't exist other than to be people that she falls in love with and who fall in love with her. Also, there are a number of overlaps between the storylines, so we often have to read two versions of the same events, occasionally even the same word for word dialogue. After a while it gets kind of tedious.

As I grew disenchanted with the book, I also became disenchanted with Hannah and her adorable affinity for cinnamon rolls - seriously, did we need this brought up every 10 pages? Fairly early on it's apparent how each of the two storylines will pan out and with very few surprises they do exactly that. I just got a bit bored with this book.

16 of 18 people found the following review helpful.
A Truly Uniue Blend of Women's Fiction and Thought Provoking Concepts!
By Stephanie Ward
'Maybe in Another Life' is a thought-provoking novel that blends the concepts of parallel universes and soul mates with contemporary women's fiction and romance. The story follows our main character, Hannah, as her life takes an unexpected turn after a night out with her best friend Gabby. Just after midnight, Gabby asks Hannah if she's ready to leave, while her high school boyfriend - Ethan - that they coincidentally ran into at the bar, quickly offers her a ride home later if she'd like to stay a bit longer. At that moment, Hannah must make the decision between leaving with her best friend or staying for a bit and then leaving with Ethan. She's doesn't know what will happen in either scenario - and this is where the book splits into two separate worlds. One in which Hannah left the bar with Gabby and the other where she stayed and later left with Ethan. In each of these lives, Hannah lives the the decision she made that night and all of the consequences that come along with it. Before long, these two seemingly parallel lives go in two very different directions - but which one would have been the right choice for her in the end?

Although this seems like a fun and easy book, which it certainly is, there are much deeper topics discussed throughout the story that will make the reader stop and think for awhile. Concepts such as fate, soul mates, pre-determination, and parallel universes are talked about continuously through the novel - even if it's underneath the surface of the main storyline. The author did a fantastic job of combining the two - the blend of women's fiction/chick lit and the serious subject matter of some very deep ideas - and she did it so seamlessly and gracefully that the reader doesn't really understand what they're reading. It's not until after finishing the story that the reader is able to step back and realize all the levels the book had to offer while under the guise of a contemporary women's fiction novel.

Everything about this book was very well done. The characters were all well rounded and had distinct qualities and personalities. Of course, Hannah gets the most attention to detail since she's the main character, and by the end of the story I felt like I had been alongside Hannah during everything that happened (in both lives). The story is told in the first person point of view - that of Hannah's perspective. I'm a firm believer that point of view plays a large role in a book, and has the ability to make it a true experience for the reader if done in the right way. My favorite writing style is the first person POV, by far. I feel like a broken record when I say that this style allows the reader to truly know and understand the main character or narrator. We're privy to things that wouldn't be open to us as readers in any other POV. In this case, we get to see into Hannah's inner thoughts along with her emotions, fears, dreams, hopes, and so much more. The fact that the story splits into two alternative lives for Hannah makes this writing style all the more effective at pulling the reader into the story and empathizing with Hannah. I loved being able to see everything that happens in both parallel lives through Hannah's eyes along with how she reacts to it all. In my opinion, this choice of writing style made all the difference in this novel, and gave the story a depth that couldn't have happened any other way.

The plot was definitely interesting and had me stopping to think about certain ideas while I was reading. I didn't expect the book to have such deep undercurrents woven into the story line - but it was a very pleasant surprise for me as a reader and made me enjoy the novel even more. The way the story is written, along with the varying concepts and plot lines, makes it appeal to fans of several different genres. It's a perfect light summer read for those readers who enjoy chick lit and women's fiction. It's also great for fans of contemporary romance. The deeper aspects that speak of fate and parallel lives definitely caught my attention, and I think fans of both science fiction and fantasy will enjoy reading about them as well. I definitely recommend this book for those looking for an interesting and fun chick lit novel as well as readers who are looking for a bit more underneath the fluff to make them think for a bit.

Disclosure: I received a copy of the book in exchange for an honest review.

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Minggu, 17 Juni 2012

[N219.Ebook] Free Ebook Sex, Race, and Politics: Free Speech on Campus (Second Edition), by Keith Fink

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Sex, Race, and Politics: Free Speech on Campus provides a highly entertaining and academic look at free speech and association issues on the college campus. The presentation of the legal material mixed in with humorous fact patterns makes analysis of the cutting edge campus speech issues enjoyable. Each section includes in-depth discussion questions to encourage a deeper engagement and understanding of the text. Readers will come away with a command of the free speech rights of students and teachers, as well as understanding the meaning and implications of sexual and racial laws as applied in the school setting.

" Keith Fink is a leading authority on harassment laws and free speech issues. He is an active trial lawyer, international speaker, and Professor at UCLA and Southwestern Law School. Professor Fink was a three-time National College Debate Champion while at UCLA. He is the founder of the law firm Fink & Steinberg which has offices in Los Angeles, San Francisco and Macau. His practice focuses on Employment and Business Litigation. He speaks frequently on a variety of legal topics including the law on sexual harassment and is routinely retained to train on sexual harassment and investigate sexual harassment complaints.

  • Sales Rank: #2158137 in Books
  • Published on: 2011-12-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .79" w x 7.01" l, 1.46 pounds
  • Binding: Paperback
  • 384 pages

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Sabtu, 16 Juni 2012

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  • Sales Rank: #6801707 in Books
  • Published on: 2009-03-16
  • Binding: Paperback

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Jumat, 15 Juni 2012

[X384.Ebook] Ebook Happy Holidays - Easy-play Speed Music (65) (For All Organs, Pianos, Guitars)Irving Berlin

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Happy Holidays - Easy-play Speed Music (65) (For All Organs, Pianos, Guitars)Irving Berlin

Contents: ABC's pf Speed Music, BeCareful It's My heart, Because I Love You, Blue Skies, Count Your Blessing Instead of Sheep, Easter Parade, For Strummers 'n Hummers, The Girl That I Marry, God Bless America, Happy Holiday, How Deep Is the Ocean, Marie, Plenty to Be Thankful For, A Pretty Girl is Like a Melody, Remember, Say It Isn't So, Say It With Music, Song of Freedom, This is a Great Country, This is the Army Mr. Jones, White Christmas.

  • Sales Rank: #1434364 in Books
  • Published on: 1976
  • Binding: Sheet music
  • 47 pages

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Rabu, 13 Juni 2012

[S967.Ebook] Free PDF The Memory of Water & Five Kinds of Silence

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  • Binding: Paperback

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Selasa, 12 Juni 2012

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Nowhere Man (LIBRARY EDITION), by Aleksandar Hemon

[LIBRARY EDITION Audiobook CD format in sturdy Vinyl Case with cloth sleeves that keep compact discs protected.]

[Read by Stefan Rudnicki]

Aleksandar Hemon, author of The Question of Bruno, one of the most celebrated debuts in recent American fiction, returns with the mind--and language--bending adventures of his endearing protagonist Jozef Pronek.

A native of Sarajevo, where he spends his adolescence trying to become Bosnia's answer to John Lennon, Jozef Pronek comes to the United States in 1992 -- just in time to watch war break out in his country but too early to be a genuine refugee. Indeed, Jozef's typical answer to inquiries about his origins and ethnicity is, ''I am complicated.'' -- And so he proves to be -- not just to himself, but to the revolving series of shadowy but insightful narrators who chart his progress from Sarajevo to Chicago; from a hilarious encounter with the first President Bush to a somewhat graver meeting with a heavily armed Serb whom he has been hired to serve with court papers. Moving, disquieting, and exhilarating in its virtuosity, Nowhere Ma is the kaleidoscopic portrait of a magnetic young man stranded in America by the war in Bosnia.

  • Published on: 2013-12-15
  • Formats: Audiobook, CD
  • Original language: English
  • Number of items: 6
  • Dimensions: 6.10" h x 1.20" w x 6.60" l, .60 pounds
  • Running time: 25200 seconds
  • Binding: Audio CD

Amazon.com Review
Following his critically acclaimed short story collection, The Question of Bruno, Aleksandar Hemon's debut novel Nowhere Man confirms that an important new voice has arrived. Unlike other Eastern European coming-of-age novels, Nowhere Man bucks chronological order, spanning the 1990s and sometimes reading like a memoir. Jozef Pronek, who grew up dreaming of hitting it big with his Beatles cover band, wanders through his adopted Chicago while the Bosnia conflict rages on, working as a process server and for Greenpeace, where he meets his girlfriend, Rachel. Jozef spends time in Kiev with American graduate students, such as the uncannily depicted Will, "blonde and suburbanly ... [as if his] family procreated by fission," and Vivian, "pale and in need of a carrot or something." He rooms with Victor Plavchuk, a conflicted doctoral student in literature who develops a crush on Jozef (and who is reminiscent of a subdued Charles Kinbote from Vladimir Nabokov's Pale Fire). Jozef is sublimely complex, embodying the listlessness and frank practicality of expatriates whose homeland is being shredded by violent conflict. Jozef wonders, "Why couldn't he be more than one person? Why was he stuck in the middle of himself, hungry and tired?" while a woman "[keeps] her hands in the pockets of her formerly blue jacket, as if despair were a marble in her pocket." Hemon's wit is also present: "The only thing that distinguished Pronek in school was that he never, ever volunteered to do anything." Nowhere Man is a somber, saddening, yet vibrant and warm debut novel. --Michael Ferch

From Publishers Weekly
Jozef Pronek, the quirky Sarajevan who captured the imagination of readers in Hemon's acclaimed story collection (The Question of Bruno), gets full-length treatment in this acutely self-aware and tender first novel. Hemon plunges into the inner world of the observant Pronek, making ordinary events seem extraordinary through the sheer power of his detailed descriptions as his protagonist navigates the war-torn land that was once Marshal Tito's Yugoslavia and the wilds of Chicago in the 1990s. Death is a constant companion for Pronek, as is a mysterious man who shadows him wherever he goes, and their lockstep journey is at the heart of a book that wanders back and forth through time and space. Hemon is stingingly accurate in his portrayal of the small, pivotal moments of youth: Pronek resorting to sliced onions to make himself cry at his grandmother's funeral, his first bungling effort at sex, his noisy rock band and his humiliating stint as a soldier. When Pronek goes to Kiev to visit his grandfather, Hemon effectively spells out his need to make sense of his life and his frustrated nationalism, his love for a country that seems to no longer love itself. The weight of such reflections are counterbalanced by zany scenes like Pronek's encounter with President G.H.W. Bush at a ceremony on the site of the Babi Yar massacre. As a "nowhere man," Pronek travels to Chicago, where he is out of step with the alienated youth culture, a person with a dubious identity and past that is not fully explained until the final chapter. Pronek's constantly reconfiguring life makes the novel a wild, twisty read, and Hemon's inimitable voice and the wry urgency of his storytelling should cement his reputation as a talented young writer.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
The Bosnian-born Hemon made a startling debut with The Question of Bruno, a collection of stories written just a few years after he came to this country. Here he expands on the central novella, "Blind Jozef Pronek and Dead Souls," taking hapless Jozef on a tour from Sarajevo to the Soviet Union to Chicago.
Copyright 2002 Reed Business Information, Inc.

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14 of 15 people found the following review helpful.
"Sitting in his nowhere land, making all his nowhere plans?"
By Mary Whipple
Jozef Pronek, as a teenager in Sarajevo, loves the Beatles, and, not surprisingly, forms a band with other young people, all of whom, like Jozef, have dreams but no prospects, their favorite song being "Nowhere Man." Later, almost by accident, Jozef finds himself living in Chicago, thousands of miles from the Balkan war which is destroying his country, still without prospects. As he and several named and unnamed narrators relate episodes from Jozef's unfocused life throughout the 1990's, the story jumps from Chicago to Sarajevo to Kiev and Shanghai, following no sequential order, and always returning to the controlling idea that "There was a hole in the world, and I fit right into it; if I perished, the hole would just close, like a scar healing..."

Hemon, a Sarajevo native who didn't begin writing in English until 1995, achieves immense power by keeping his sentence structure simple, acutely observing the minutiae of Jozef's life, meticulously selecting images which are both visually and emotionally memorable, then firing them at us in a staccato series of flashes. Just before a job interview, for example, Jozef recalls smashing cardboard boxes, a cat eating the head of a mouse, the Bosnian war as seen on TV, and a passing driver pointing a finger at him and pretending to shoot. Boiling eggs are seen as "iris-less eyes," and he has "butterflies in [his] stomach, ripping off one another's wings." With irony and dark humor, he recalls a woman calling out to her lost dog, "Lucky Boy," while a young ESL teacher addresses her class as "you guys" and conducts lessons about Siamese twins.

Jozef is a character with whom most readers will empathize, and as we view his life at home and abroad, we root for his success at the same time that we fear his failure. "The possibility that the world can never respond to [Jozef's] desires torture[s] him." Because separating Jozef from all his fantasies is not always easy, some readers may still be wondering at the end of the novel, "Who is Jozef Pronek, really?" however, and his world, in which an "omniscient, omnipotent, but not necessarily benevolent being" is in control, will not appeal to everyone. For those who love language used in fresh ways, however, this novel offers innumerable delights and great satisfaction. Mary Whipple

6 of 6 people found the following review helpful.
Genius Trumps Ineptitude
By Hemi Boso
Yes, Nowhere Man is seriously flawed. As other reviewers have noted, it is indeed poorly edited, often confusing, and its naive, self-conscious attempt to be literary and postmodern caused me to wince with discomfort. His over-use of similes was maddening, etc.

However, this novel is so replete with brilliant observations ("crackling with acuity"), expressed in stunningly novel and creative ways that I found it compulsively readable; in fact, for pure pleasure, this is the best read I've experienced in years. If I were a collector of literary 1st editions, I would be buying up Hemon's oeuvre, for his works--despite their deficiencies--are destined to be among the few that survive our times.

16 of 20 people found the following review helpful.
The Highest Praise I Can Muster
By A Customer
Aleksandar Hemon writes in marvelous ways about a world that most writers seem not to notice -- the real world, or at least the world I live in. Hemon's real world is an urban world full of genuinely human people and tangible history. Hemon's first book took place in this world, too, and I love him for it, but Nowhere Man is a much more sophisticated, textured, and affecting book than The Question of Bruno, and it establishes that Hemon is more than up to the writer's great challenge: to create a character that will live on and on, like Bellow's Augie March, Nabokov's Humbert Humbert, Chandler's Marlowe, etc. And Jozef Pronek will live on as one of the great literary protagonists of the 21st century, but he will not live on as a flat icon, but as a seemingly real person, who I've already known as a child, as a student, as a detective, as a wage-slave, as a lover.
Sometimes in The Question of Bruno, maybe Hemon was showing off a little, to dazzling effect but more for the sake of doing it than for the sake of the book itself. That doesn't happen in Nowhere Man, probably because it's all about the lovable Pronek, in the way that Catcher in the Rye is all about keeping you involved with Holden Caulfield. That's a strange comparison and probably wildly inaccurate -- Pronek doesn't feel like a kid at all (he's too world-wise and weary for his own good), and it's so absurd to describe this book as a coming-of-age story it didn't even occur to me until right now (a more accurate comparison might be to Toru Okada of Haruki Murakami's Wind-Up Bird Chronicle, who's supposedly all grown-up by the time we meet him) -- but in some ways I felt about Pronek the way I felt about Caulfield. Not that I necessarily 100% identified with him, but that I felt for him, intensely, was eager to look at the world through his eyes, happy to live in the world with him. I think it's that intellectual and emotional empathy that make Catcher still stand up as an enduring piece of literature, and it's the same thing that will make Nowhere Man stand up forever and ever.
Seems to me the only contemporary writers worth comparing Hemon too are Ondaatje and Sebald (and Murakami I guess), and one of those guys is already gone. I mean that as the highest praise, and it's not to say he feels like an old writer. Quite the opposite -- he just seems to be one of very, very few young writers up to inheriting their mantle, capable of making something new and wonderful out of literature in the 21st century, something that can address and inhabit what our world's becoming.

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