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I is for Ishiguro. Masuji Ono saw misery in his homeland and became unwilling to spend his skills solely in the celebration of physical beauty. Instead, he envisioned a strong and powerful nation of the future, and he put his painting to work in the service of the movement that led Japan into World War II. Now, as the mature Masuji Ono struggles through the spiritual wreckage of that war, his memories of the “floating world” of his youth, full of pleasure and promise, serve as an escape from, a punishment for—and a justification of—his entire life. Drifting without honor in Japan’s postwar society, which indicts him for its defeat and reviles him for his aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being. An Artist of the Floating World is a sensual and profoundly convincing portrait of the artist as an aging man. At once a multigenerational tale and a samurai death poem written in English, it is also a saga of the clash of the old and new orders, blending classical and contemporary iconography with compassion and wit.
- Sales Rank: #705015 in Books
- Brand: Penguin Books
- Published on: 2013-05-07
- Released on: 2013-05-07
- Original language: English
- Number of items: 1
- Dimensions: 7.90" h x 1.00" w x 5.30" l, 1.10 pounds
- Binding: Hardcover
- 240 pages
- Penguin Books
Amazon.com Review
In An Artist of the Floating World, Kazuo Ishiguro offers readers of the English language an authentic look at postwar Japan, "a floating world" of changing cultural behaviors, shifting societal patterns and troubling questions. Ishiguro, who was born in Nagasaki in 1954 but moved to England in 1960, writes the story of Masuji Ono, a bohemian artist and purveyor of the night life who became a propagandist for Japanese imperialism during the war. But the war is over. Japan lost, Ono's wife and son have been killed, and many young people blame the imperialists for leading the country to disaster. What's left for Ono? Ishiguro's treatment of this story earned a 1986 Whitbread Prize.
From Publishers Weekly
Like figures on a Japanese screen, the painter Masuji Ono and his daughters Setsuko and Noriko are fixed in the formal attitudes that even their private conversations reflect. In the postwar 1940, the father is a relic of traditional Japan, of teahouses, geishas and patterned gardens not yet destroyed by industry and Westernized thinking. He is unable to communicate with his daughters, unsure of the propriety of his wartime nationalism yet unwilling to exchange it for what seem to him doubtful modern values. His thoughts turn to the optimism of his student days, to uncertainties and disappointments that were mitigated by his sense of a prevailing order, now nowhere apparent. He cannot fathom why his daughters treat him with a disdain that approaches rudeness, why they imply that he and his kind were responsible for the war that killed so many sons, his own among them. And so, despite the rigidity of Ishiguro's prosewhich matches Ono's inflexibilitythe once famous artist gathers pathos as he moves through the pages of a novel that is both a reminder and a warning. Ishiguro wote A Pale View of Hills.
Copyright 1986 Reed Business Information, Inc.
From Library Journal
It is postwar Japan and a now retired and seemingly discredited painter, Sensei Ono, reflects on his career, the limits to loyalties between teachers and students, and the life of art. Occasions such as the forthcoming engagement of his daughter (which involves investigations into the family background) bring his involvement with the political campaigns of the prewar regime painfully to the fore of his consciousness. Should he have remained a traditional painter of the floating world of geishas, tea houses, and such? Do his high-minded intentions excuse his propaganda posters? Should an artist follow an aesthetic of pure art or of social involvement? How does a personor a societycome to terms with mistakes of the past? This new novel by the author of A Pale View of Hills will appeal to the thoughtful reader. Recommended. Carl Vogel, San Francisco P.L.
Copyright 1986 Reed Business Information, Inc.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Warm-up for "The Remains of the Day"
By Ethan Cooper
In his ambitious youth, a now older man made a commitment to an idealistic cause, which for a time brought him acclaim and power in his field. But in his maturity, this man realizes that his youthful cause had a disastrous effect on his family life. Furthermore, he sees that his youthful ideals are no longer respected by the rising generation. This mature man does not regret or forsake his ambitious nature. But he does ultimately see that his idealism and ambitions combined to support what history has shown to be a misguided failure.
This plot summary applies to Ishiguro's impressive second novel, AN ARTIST OF THE FLOATING WORLD. There, Masuji Ono, a master painter, develops and uses his talents to support imperialistic Japan. And, it applies to THE REMAINS OF THE DAY, Ishiguro's terrific third novel, where Stevens, a dedicated butler, provides great service to a disgraced aristocratic household. IMHO, AAotFW is a good novel. But it also reads like a warm-up for TRotD.
In AAotFW, the talented Ono is initially schooled as an artist of the floating world. This is "the night-time world of pleasure, entertainment, and drink which formed the backdrop for all our paintings." It offers "...the finest, most fragile beauty an artist can hope to capture..." But the youthful and idealistic Ono, shocked by poverty in his native city, allows politics to enter his painting. Ultimately, this becomes both the reason for his early prominence and later problems.
Ishiguro organizes AAotFW into four sections: October 1948; April 1949; November 1949; and June 1950. In each section, he uses the dilemma of Noriko, Ono's initially unmarried daughter, to explore and layer the issues of Ono's life, which include artistic integrity, fame and authority, misguided idealism and ambition, guilt and responsibility, and the disappearance and reformulation of the past. In all four sections, Noriko's situation evolves with time. Meanwhile, Ono's concerns become increasingly nuanced and layered. Ultimately, he recognizes that what he once viewed as a highpoint in his professional life--the moment he surpassed his former teacher and father figure--was also his moment of classic hubris.
This is a good novel, albeit not quite as focused as TRotD. Regardless, rounded up to five stars and recommended.
1 of 1 people found the following review helpful.
No Happy Endings Here
By Ned C. Smith
Thirty years between writing his latest novel "The Buried Giant" and "An Artist of the Floating World". After reading "The Buried Giant" and most of his other works, I stumbled upon "An Artist of the Floating World" and thought I'd give it a try and I'm glad I did but my final feelings were quite mixed. It almost seems as if the two works were written in reverse order. "An Artist of the Floating World" seems as if it was written by an older man , someone close to Ishiguro's age and "The Buried Giant" by a much younger writer. Both books are somewhat melancholy in style and tone, not what I'd call "uplifting" or optimistic and both are beautifully executed in Ishiguro's own inimitable style. 'The Buried Giant" might have been written by an English author but "An Artist of the Floating World" could only have been written by someone Japanese. All of Ishiguro's works should be read at least twice for full effect.
3 of 3 people found the following review helpful.
k. ishiguro vs. k.ishiguro
By E. waite
Having read his marvelous 'the remains of the day', I thought to read another of his writings.
In reading 'the remains of.....', i was awed by his convincing portral of
the butler's sense of his place in the world of the priviledged.
Whereas, in the 'an artist of .....', I continually sensed that his efforts to portray the artist's perception of his world,
wrecked by the horrors of wwII, were awkward and forced......in his characters attempt to understand
the new ethical standards he now encountered.
But, I do however recommend both books. Especially, 'the remains of the day.'
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